Tuesday, January 6, 2009

The Curious Case of Benjamin Button


The Curious Case of Benjamin Button was a movie that, through its wonderfully beautiful storytelling, left me more than slightly confused. It tells the story of a man (Brad Pitt) who was born as an 80 year old and physically aged backwards. He has the unfortunate task of watching all those around him who resemble him physically whither and die while he does just the opposite. And while it was clear that the overall theme was to show that there are certain things that can simply transcend time and to live life to the fullest, I couldn't help but be overcome with an overwhelming sense of isolation and loneliness.

The short story, originally written by F. Scott Fitzgerald, was intended to be a comic farce. Instead, it was presented as a romantic fantasy, which was where the confusion started. As a 70-something old man, Button falls in love with a beautiful little girl, Daisy, who matches his age mentally. As time progress, Benjamin gets younger and Daisy gets older and, in doing so, their paths cross several times. It isn't until Daisy reaches adulthood (Cate Blanchett) that this love is acted upon. Being a hopeless romantic, I first viewed this as the high point of the entire movie. But during the lovemaking scene, I couldn't help but wonder if the two were thinking of each other as when they first met, as a young girl and an old man. The thought was a little unsettling, to say the least.

The longer
The Curious Case of Benjamin Button went on, the more I started to realize that while trying to create a sense of timeless romance, the film gave me nothing but sadness. Every relationship that Button has is fleeting and futile, due to his circumstances. All around him, his loved ones are passing away and he is forced to watch not only this, but also see himself as seemingly exempt from this process. And it is this that makes the romance between Button and Daisy extremely hard to believe.

This movie will undoubtedly get Oscar attention. The film itself is well made and the acting, along with Tilda Swinton, Taraji P. Henson, and Elias Koteas, is simply superb and it wouldn't be surprising if Brad Pitt walked away with the best actor. But it was the storytelling that helped make this film. The screenplay shares the same author with
Forrest Gump in Eric Roth and it is evident that he uses similar outlines. But even good storytelling couldn't mask the feeling of isolation that the movie left as it finished, making this a film that is incredibly easy to admire, but difficult to love. But maybe that's the way it's supposed to be.